
SALSA
Salsa
is a very popular dance form in Latin America, the United States,
and Europe. The word is the same as the Spanish word salsa meaning
sauce. Who applied this name to the music and dance, and why, remains
disputed, but it is widely agreed that the name fits.
Salsa
is danced on music with a recurring eight-beat pattern, i.e. two bars
of four beats. Salsa patterns typically use three steps during each
four beats, one beat being skipped. However, this skipped beat is
often marked by a tap, a kick, a flick, etc. Typically the music involves
complicated percussion rhythms and is fast with around 180 beats per
minute.
Salsa
is usually danced in pairs. In contrary to traditional ballroom dances,
the pair does not "walk" over the dance floor, but rather
occupies a fixed area on the dance floor.
MAMBO
Mambo
is rhythmically similar to the slower rumba, though it has a more
complex pattern of steps. The saxophone usually sets the syncopated
rhythm, while the other brass carries the melody.
There
were two forms of mambo dance: single and triple (sometimes called
double mambo). The former one has been retained as modern mambo; the
latter one is thought to be an origin of the Cha-cha-cha.
Mambo
is at the roots of the Salsa dance and is a part of the American Rhythm
group of American Style ballroom dances.
MERENGUE
With
monotonous thumping 1-2-3-4 bass drum beat, all steps are on one beat
and have a characteristic limping appearance. Sometimes this step
called paso "de la empalizada" (pole-fence step). There
are also legends about a limping war hero (or El Presidente of a banana
republic himself, in some versions) who had to step in this way while
dancing because of wounds, and polite (or clueless) public imitated
him.
Partners
hold each other in closed position and do walks sideways or circle
each other, in small steps. They can further switch to a double handhold
position and do separate turns never letting go each other's hands.
During these turns they may twist and tie their handold into intricate
pretzels. Other choreography is possible.
Although
the tempo of the music may be frantic, the upper body is kept majestic
and turns are slow, typically four beats/steps per complete turn.
CUBAN
RUMBA
Rumba
arose in Havana in the 1890s. As a sexually-charged Afro-Cuban dance,
rumba was often suppressed and restricted because it was viewed as
dangerous and lewd.
Later,
Prohibition in the United States caused a flourishing of the relatively-tolerated
cabaret rumba, as American tourists flocked to see crude sainetes
(short plays) which featured racial stereotypes and generally, though
not always, rumba.
Perhaps
because of the mainstream and middle-class dislike for rumba, son
montuno became seen as "the" national music for Cuba, and
the expression of Cubanisimo. Rumberos reacted by mixing the two genres
in the 30s, 40s and 50s; by the mid-40s, the genre had regained respect,
especially the guaguanco style.